Conflict in Fiction

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Conflict in Fiction

 

 

I want to add conflict in my story to dial up tension and suspense and raise the stakes. How do I add conflict in fiction? Consider 7 Types of Conflict in Fiction:

 

  • vs. Self – internal struggle between a characters's thoughts, beliefs, emotions, as in a moral choice
  • vs. Fate – struggle between a character and the forces of fate, destiny, and luck
  • vs. Other Character(s) – pitting one character against another (or a group of other characters)
  • vs. Nature – where a character is challenged by forces of nature beyond their control 
  • vs. Supernatural – a character against supernatural and paranormal forces
  • vs. Technology – focusing on the tension between humans and machines 
  • vs. Society – exploring themes of oppression and injustice 

 

In this article we will dig into more detail on each of the 7 Types of Conflict in Fiction. We will also address what conflict is, why you should include conflict in your story, and 5 Steps to Write Conflict in Fiction.

 

 

Before we start ...
do you want to write fiction faster,
while practicing your craft and your writing process to consistently get better? 


Check out this link to the FREE "Write Fiction Faster ... and better" guide and workbook,
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What Is Conflict in Fiction

As a writer, you know that conflict is an essential element in any story. Conflict creates tension, suspense, and interest in your story, making it more compelling and engaging for the reader. But what exactly is conflict in fiction?

In its simplest form, conflict is a clash between opposing forces. This could be within a character's inner world or between two characters or groups of characters. 

Conflict is an integral part of every story – it’s what keeps readers hooked from start to end (and keeps their attention through the dreaded middle). By choosing the right kind of conflict for your story you can help ensure your narrative moves forward with energy and purpose while creating suspenseful moments that leave readers eagerly anticipating what will happen next.

 

 

Why Conflict is Important in Fiction

Conflict is an essential element in any story.

Conflict creates tension and suspense in your narrative, and keeps readers engaged throughout the story. It reveals hidden truths about characters’ motivations or emotions. Conflict drives the plot forward and creating exciting moments for readers to savor.

Conflict helps build believable worlds with real stakes. When a character faces opposition from outside forces — be it other characters or nature itself — it can add some mystery to their backstory and provide insight into how they think or act under pressure. This creates investment from the reader as conflicts unfold in unexpected ways throughout your story!

 

Conflict makes fiction come alive on the page!

 

It gives readers insight into characters’ inner lives and shows them how these characters handle adversity, making them feel connected to them as well as invested in their ultimate fate. With strong conflict woven throughout your story you can create drama that will keep your audience captivated until its resolution.

 

 

7 Types of Conflict in Fiction

 Let's take a deeper dive into each of the 7 types of conflict in fiction. 

 

 

  • vs. Self – internal struggle between a characters's thoughts, beliefs, emotions, as in a moral choice
  • vs. Fate – struggle between a character and the forces of fate, destiny, and luck
  • vs. Other Character(s) – pitting one character against another (or a group of other characters)
  • vs. Nature – where a character is challenged by forces of nature beyond their control 
  • vs. Supernatural – a character against supernatural and paranormal forces
  • vs. Technology – focusing on the tension between humans and machines 
  • vs. Society – exploring themes of oppression and injustice 

 

 

vs. SELF

Character vs self conflict is an internal struggle between a character's thoughts, beliefs, and emotions. It occurs when a character faces difficult moral dilemmas and must choose between two or more courses of action.

The struggle to make the right decision can manifest in different ways throughout a story, from emotional struggles to physical ones.

 

  • For example, in J.R.R Tolkien’s "The Lord of the Rings" trilogy, Frodo Baggins faces an inner struggle between his desire to keep the Ring safe and his need to destroy it to save Middle Earth from Sauron’s evil forces. The temptation of the Ring is so great that Frodo often contemplates keeping it for himself, only to be saved by his loyal friends at the last moment.

 

  • In Roald Dahl’s "Charlie and the Chocolate Factory", Charlie Bucket must choose between opening one of five golden tickets he finds in chocolate bars or giving them away to someone else who needs them more than he does. Although Charlie desperately wants to keep all five tickets for himself – and despite being taunted by other children who tell him not to give away anything – he decides in the end that it is better to share them with others because it would make him happier in the long run.

 

  • The classic Disney film “Beauty and the Beast” also features a character vs self conflict as Belle makes her way through her captor’s castle and tries to find her way back home while discovering something new about herself along the way. Despite being exposed to danger regularly throughout her journey, Belle eventually learns how important it is for her to trust herself and follow her heart when making decisions – even if they seem risky or ill-advised at first glance.

 

In all these stories, characters have faced difficult choices that require them to look within themselves for strength and courage as they face off against their own fears and doubts. Character vs self conflict encourages readers (and viewers) to think deeply about their own lives and decisions while exploring what happens when we take risks or face our innermost demons head on.

 

 

vs. FATE

Character vs. Fate conflict is a struggle between characters and the forces of fate, destiny, or luck that seem to be determining their paths. In literature, this type of conflict is often used to explore questions about the power of choice versus uncontrollable fate in shaping our lives.

 

  • The classic tale of "Romeo and Juliet" by William Shakespeare is an example of character vs. fate conflict in literature, as it follows two star-crossed lovers whose families are in a bitter feud and who must face the consequences of their passionate love affair despite all odds. Romeo and Juliet must continually make difficult decisions that could potentially bring them closer together – but will also bring them into conflict with their families’ wishes and society’s expectations. Despite these obstacles, they refuse to give up on each other and continue to fight against the tide until finally tragedy strikes and they are forced to accept that some things may be beyond even their control.

 

  • In modern film, character vs. fate conflict can be found in "The Matrix" trilogy (1999-2003). The main protagonist Neo (Keanu Reeves) faces off against powerful agents who represent a system of artificial intelligence which has taken over humanity by using humans as energy sources for machines. As Neo discovers his “superpowers” he must choose whether or not he will take a stand against this oppressive system or accept his place within it – a decision which may very well determine not only his own future but that of the human race itself!

 

  • Another example comes from television series "Lost" (2004-2010), where each episode focuses on a group of survivors stranded on a mysterious tropical island after a plane crash. Throughout the series we follow each character’s journey as they grapple with questions about how much control they have over their own destiny in light of the seemingly supernatural forces at work on the island. Eventually it becomes clear that fate plays an important role in how events unfold – but characters still strive to make decisions based on their own individual motivations, revealing just how powerful free will can be even when faced with great adversity.

 

Character vs. Fate conflict can be used effectively to raise interesting questions about life choices and destiny while keeping readers engaged with its unpredictable outcomes. It provides readers with an opportunity to contemplate how much control we have over our lives as well as how much influence external forces may have on our ultimate paths – sparking conversations about purpose, morality, faith, chance, and more.

 

 

vs. OTHER CHARACTER(s)

Character vs. Character conflict is a type of conflict in fiction that pits one character against another in direct opposition to each other. This type of conflict usually involves characters with opposing goals or motivations, and can be used to create tension and drama in a story as they battle for supremacy.

 

  • In literature, this type of conflict is seen in many classic works such as Jane Austen’s "Pride & Prejudice" (1813), where Elizabeth Bennett faces off against her arrogant cousin Mr. Darcy. Their dislike for each other drives the plot forward as Elizabeth tries to prove that Mr. Darcy’s prideful nature has caused him to misjudge her character – while he in turn endeavors to show her why she should not judge him too quickly either. This is also an example of conflict masking attraction and turning into love.

 

  • Another example comes from George Orwell’s "Animal Farm" (1945) which follows the power struggle between two pigs – Napoleon and Snowball – after a revolution on an animal farm overthrows its human owners. The two pigs become adversaries as their views on how the new system should be run begin to differ, eventually leading into a heated rivalry that leads to Napoleon seizing control over the farm with his own set of rules and regulations. 

 

  • Films like "Mad Max: Fury Road" (2015) also feature intense rivalries between characters, such as the one between Immortan Joe and Furiosa who are both fighting for control over a post-apocalyptic wasteland ruled by violence and cruelty. In this case, Furiosa’s desire to save other women from Immortan Joe’s oppressive rule causes them to butt heads constantly until finally she manages to escape with them thanks to her courage and determination.

 

  • Finally, television series "Game of Thrones" (2011-2019) is also rife with characters facing off against each other due to ambitious desires for power or revenge. For example, fan favorite Arya Stark is constantly at odds with people who have wronged her or her loved ones – often leading into dangerous confrontations where she must use all of her wit and cunning if she hopes to survive.

 

Character vs Character conflicts can make for compelling stories, inspiring readers or viewers to cheer on their favorite protagonist while rooting against their nemesis. It adds depth and complexity to relationships between characters while providing opportunities for unexpected twists that keep audiences engaged until its resolution.

 

 

vs. NATURE 

Character vs. Nature conflict is a type of conflict in fiction that pits characters against forces of nature beyond their control. This type of conflict emphasizes the powerlessness of man against the unpredictability and strength of natural elements like ice, water, wind, fire, and darkness. It also serves as an allegory for the struggles we all face when life throws us a curveball and we must try to rise up against insurmountable odds in order to prevail.

 

  • In literature, this type of conflict can be found in Jules Verne’s classic adventure novel "20,000 Leagues Under The Sea" (1870). In this book, Captain Nemo and his crew face off against giant squid and other underwater beasts while navigating their way through unknown depths - providing readers with an exciting yet harrowing journey as they battle against nature itself.

 

  • Another example comes from Ernest Hemingway’s novella “The Old Man And The Sea” (1952) which follows an old Cuban fisherman named Santiago on a grueling battle with a giant marlin fish. Despite his years of experience at sea he finds himself outmatched by the sheer power of the creature he has hooked - testing his courage and endurance as he fights to bring it back to shore despite intense exhaustion and physical pain.

 

  • In film we have "The Revenant" (2015), where Hugh Glass (Leonardo DiCaprio) is left for dead in the frozen wilderness after being mauled by a bear while hunting with trappers. He must use all his strength and ingenuity if he hopes to survive long enough to make it back home - even if that means coming face-to-face with hostile Native American tribes or battling extreme weather conditions along the way.

 

Character vs Nature conflict can evoke feelings of awe and appreciation for human determination and resilience while reminding us all that sometimes we must accept our limits instead of trying to push them too far! It provides readers with an opportunity to reflect on how our own lives could be different if faced with similar challenges – sparking conversations about spirituality, mortality, perseverance, and more.

 

 

vs. SUPERNATURAL

Character vs. Supernatural conflict is a type of conflict in fiction that pits characters against forces of a supernatural or paranormal nature. This type of conflict can add an extra layer of tension and suspense to stories, as the protagonists often have to rely on their own inner strength and faith, rather than physical prowess alone, to overcome the challenge at hand.

 

  • In literature we have Bram Stoker’s "Dracula" (1897) which follows vampire hunter Abraham Van Helsing as he attempts to stop the eponymous vampire from wreaking havoc across Europe. Van Helsing is no match for Dracula’s supernatural powers but with the help of his allies, he must use his intelligence in order to outwit him before it’s too late!

 

  • Another example comes from Mary Shelley’s "Frankenstein" (1818) which tells the story of Victor Frankenstein and his creation - a man-like creature who is brought into existence through unnatural means and soon begins to show homicidal tendencies. Victor must use all of his knowledge about science and alchemy if he hopes to take control over the monster before it can cause more destruction – pitting him in a battle between morality and science gone awry!

 

  • In film, we have "The Exorcist" (1973), where two priests must perform an exorcism on a young girl possessed by evil forces beyond her control. The priests are up against a powerful demon who has no regard for human life while also trying to protect the girl from any further harm - leading them into an intense struggle between good and evil that will test their faith like never before.

 

  • More recent movies such as "Insidious" (2010) and "Hereditary" (2018) also feature supernatural conflicts between characters as they attempt to outsmart dark forces that threaten their lives or sanity - providing viewers with thrilling moments filled with horror and suspense.

 

  • Finally, television series like "Supernatural" (2005-2020) focus almost exclusively on this theme – following brothers Sam and Dean Winchester as they hunt down monsters and demons that terrorize normal people throughout America. From witches to werewolves, ghosts to ghouls – these two brothers face off against numerous creatures bent on destruction in order for them to save innocents from harm.

 

Character vs Supernatural conflicts can be deeply emotional experiences that tap into our deepest fears while highlighting our resilience even when faced with overwhelming odds. It pays homage to those who stand up for what’s right despite seemingly insurmountable obstacles — inspiring us all with courage in moments when things seem darkest.

 

 

vs. TECHNOLOGY 

Character vs Technology conflict is a type of conflict in fiction that pits characters against technology, whether it be man-made or futuristic. This type of conflict emphasizes the potential for both positive and negative outcomes when humans interact with machines, whether it be to gain knowledge or cause destruction. It also serves as a cautionary tale for us all to consider the consequences of relying too heavily on technology in our everyday lives.

  

  • An example from literature (also filmed) comes from Ernest Cline’s "Ready Player One" (2011) which follows protagonist Wade Watts as he competes in a virtual reality game with immense stakes at hand — full ownership over a fortune left behind by its mysterious creator James Halliday. The game stands as an intense challenge between players and technology, with Wade having to complete increasingly difficult tasks if he hopes to win – testing his strength and ingenuity against Halliday’s technical know-how.

 

  • In film we have "The Matrix" (1999), where Thomas Anderson (Keanu Reeves) is dragged into a battle between machines and humans after discovering the truth about reality. He must use his newfound skills and knowledge in order to fight back against robotic forces intent on wiping out human civilization – pushing him into an intense war between man and machine.

 

  • Or consider television series like "Westworld" (2016-2020). This show follows Delores Abernathy — an android who starts to realize her own sentience as she navigates her way through multiple worlds while trying to fight off human oppressors intent on keeping her enslaved within a manufactured reality. Delores battles against human greed and technological advancement in order to protect those she cares about — creating an emotional struggle between freedom and control!

 

Character vs Technology conflicts provide readers with chances to consider what makes us truly “human” while also questioning how much control we should give over our lives to machines that are created by man himself. It encourages us all to think more carefully about how technology affects our daily lives, inspiring conversations about morality, autonomy, artificial intelligence, and more.

 

 

vs. SOCIETY 

Character vs. Society conflicts are a type of conflict in fiction that pits characters against the society they live in, often times exploring themes of oppression and injustice. This type of conflict is used to create tension between characters and the world around them as they grapple with traditional values while attempting to break free from oppressive forces.

 

  • In literature, one example comes from George Orwell’s novel "Nineteen Eighty-Four" (1949) which follows protagonist Winston Smith as he attempts to rebel against an oppressive totalitarian government. In this book, Winston must battle his fear and complacency if he hopes to make any progress — creating an intense struggle between him and an unjust society intent on control.

 

  • Another example comes from Harper Lee’s "To Kill a Mockingbird" (1960) which tells the story of Atticus Finch as he defends an innocent black man accused of rape by a white woman — despite facing immense racism and hatred from those around him. Here, Atticus stands up for justice even when the odds are against him — testing his courage in not only court but also in the face of a prejudiced society.

 

  • In film we have "Schindler’s List" (1993), where businessman Oskar Schindler uses his influence and resources to save Jews from Nazi extermination camps during World War II. Throughout this movie, Schindler battles against the restrictive regulations imposed by Nazi Germany while using his own wit and cunning in order to outsmart them — creating an emotional struggle between him and a cruel regime determined to destroy anyone who doesn’t conform.

 

  • More recent films like "12 Years a Slave" (2013), "Hidden Figures" (2016), and "The Hate U Give" (2018) also feature intense struggles between characters and their oppressive societies — emphasizing the power of individual resilience even when faced with overwhelming odds.

 

  • Finally, television series like "The Handmaid’s Tale" (2017-Present) focuses almost exclusively on this theme – following protagonist June Osborne as she attempts to escape Gilead – an oppressive totalitarian state run by conservative religious fanatics intent on controlling women’s lives through reproductive slavery. In her journey towards freedom, June must use her intelligence in order to deceive those around her - leading her into numerous confrontations with Gilead’s oppressive rule.

 

Character vs Society conflicts serve as reminders for us all that standing up for what we believe in can be difficult yet rewarding experiences that fill us with hope even when it seems like there is none left. It encourages readers to question traditional values while inspiring conversations about morality, autonomy, justice, and more.

 

 

5 Steps to Write Conflict in Fiction

Let's take a look at 5 steps to write conflict in fiction. 

 

 

  1. Get clear about the opposing needs and wants
  2. What's the worst thing that can happen to this character?
  3. Who would be involved in the conflict?
  4. How will the stakes get higher?
  5. How will the story resolve the conflict?

 

 

1) Get clear about the OPPOSING NEEDS and WANTS

When writing fiction, it is important to create an engaging conflict that will draw readers in and keep them hooked. The first step in doing this is getting clear about the opposing needs and wants of those involved in the conflict. It’s important to understand how these opposing forces interact and how they shape your plot.

In order for a conflict to be meaningful, there must be characters with competing desires or goals. The conflict might arise from different philosophical outlooks, clashing opinions, diverging beliefs, or varying backgrounds and experiences. Whatever the cause, it’s important that each character has something at stake – something they are fighting for – in order for the story to progress towards resolution.

Each character should possess a tangible goal that stands as a direct obstacle to what another character wants or needs; this helps ensure that the stakes are high enough for readers to remain engaged throughout the story’s duration. This can help add tension between characters while also creating more realistic dialogue and interactions as each character attempts to pursue their own personal objectives without compromising on their values.

A good way to start getting clear about opposing needs and wants is by understanding each character’s motivations — why do they want what they want? You may also want to consider how these needs and wants have developed over time - what events have caused them to arise? What fears or doubts do they bring up? Is there any moral ambiguity surrounding their goals? Answering these questions can help you get into the “why” of your characters - why are they pursuing certain things over others?

You can also look at how your characters interact with one another - what does one character think of another? Do their perceived actions cause tension between them? How does each character react when faced with opposition from other characters? Examining both internal motivation and external interaction will help give you a better understanding of how conflicts play out within your story.

Finally, it’s important that you make sure the stakes are high enough for readers to care about what happens next - this could mean raising the consequences of failure or increasing the reward for success depending on where you’re going with your narrative arc. By making sure both sides have something important at stake, you can make sure readers remain invested throughout.

This is natural in the "Character vs. Character" conflict. But the same opposition of needs and wants are valid for all the other types of conflicts. In some situations — for example Character vs. Nature — it may be that the needs/wants are all on one side (the character). In other situations — for example Character vs. Society, the society has broader wants/needs that come in conflict with the character's personal wants/needs. 

 

 

2) What's the WORST thing that can happen to this character?

The worst thing that can happen to a character in a story is not just that they fail in their goals, but that it has the potential to completely derail their plans and ambitions. This can be achieved by showing how their failure has severe repercussions that could affect other aspects of their lives – for example, by damaging relationships with other characters or leading to severe consequences for their actions.

For example, if a character is fighting against an oppressive government, then the worst thing that can happen to them would be imprisonment or death. This would not only end their chances at victory but also rob them of any chance of returning home safely. In this case, it isn’t just about failure; it’s about putting everything on the line for something you deeply believe in and risking everything in pursuit of those beliefs.

Here are some "worst things" that can happen to your character, for inspiration:

 

  1. Physical Injury: A character could be seriously injured or disabled in a conflict, ending their chances at success and altering their life forever.

  2. Emotional Turmoil: A character may experience intense sorrow, regret, or guilt as a result of the conflict they are facing - leading to deep emotional scars that may take years to heal.

  3. Social Alienation: If a character stands up for something they believe in against powerful opponents, they might face shunning from friends and family who don’t share the same beliefs – isolating them from those closest to them and leaving them feeling alone in their struggle.

  4. Financial Ruin: Conflict can also have dire financial consequences; if a character has put all of their resources into fighting their cause then failure could leave them penniless with no way out of the situation - making it impossible for them to start over again afterwards without assistance from others.

  5. Betrayal & Deception: Characters placed within dangerous conflicts often must resort to lies and deceit in order to protect themselves - resulting in broken relationships that can never be repaired once revealed or forgiven by those affected by such deception long after its use has ended.

  6. Loss of Home/Security: If a character’s home or job is ruined through conflict, they can be left with no place to turn and no way to start over again.

  7. Diminished Self-Worth: A prolonged struggle against powerful opponents can leave characters feeling hopeless and helpless - unable to see any light at the end of the tunnel as their sense of self-worth diminishes with each passing day.

  8. Spiritual Crisis: Difficult spiritual questions can arise during high stakes conflicts that challenge characters’ beliefs about life, death, purpose and morality - potentially leading them down a path towards disillusionment and despair if unanswered satisfactorily for them by story's end.

  9. Psychological Trauma: Facing an unrelenting conflict can cause extreme psychological damage such as anxiety, depression, and post-traumatic stress disorder that can have lasting effects on a character long after the story has ended.

  10. Physical Separation: Characters fighting intense battles against powerful opponents might find themselves physically separated from those closest to them due to decisions made during battle - leading to deep feelings of loneliness

 

 

3) Who would be INVOLVED in the conflict?

When writing about who is involved in a conflict, it’s important to remember that a protagonist isn’t always fighting against just one specific individual. In most cases, the protagonists of your story will be pitted against any number of people or groups that are opposed to their mission and goals. 

These antagonists can take many forms: they may be adversaries with whom your protagonist has had a personal disagreement or rivalry throughout their life, or they could be members of an opposing political group working to protect their interests. They might even be an entire race or species entirely different from the protagonist's own. The antagonist's identity is usually determined by the climax of the narrative and how it resolves the conflict - so make sure you give them enough depth and detail to make them interesting and believable for readers.

In addition to enemies, allies can also play an important role in conflicts by providing support and guidance when things seem bleakest for the protagonist. These allies might include characters such as close friends, mentors, teachers, family members - anyone who understands what the protagonist is going through and is willing to help them out in times of need. By having these characters around, you can create moments of both personal growth and tension that will keep readers invested in the story until its conclusion.

Finally, it’s important to think about how other characters in the story interact with your conflict — what do they want out of it? Are they actively involved in helping or hindering either side? Understanding each character’s motivations and how they fit into your narrative can help you craft more complex storylines with multiple layers that will draw readers in further as your story progresses.

 

 

4) How will the STAKES get higher?

Once you have fleshed out the characters involved in your conflict and established their motivations, it’s time to raise the stakes. In order to make your story more intense and exciting, you need to increase the tension by having your characters face greater consequences as the conflict progresses. The stakes should be related directly to the goals of each side - if they are too low, readers won’t care enough about what happens and be less likely to finish your story.

A great way to make sure your stakes are high is by introducing a ticking clock that places a deadline on achieving a goal or else facing dire consequences. The closer we get to this deadline, the higher the stakes become which builds tension throughout the narrative until a climax is reached. You can also raise stakes through physical danger - such as putting characters in life-threatening situations or forcing them into difficult moral quandaries with no easy solution in sight.

Another way to increase suspense is by increasing the cost of failure for each side of the conflict. Letting readers know early on what will happen if one side loses helps build anticipation and heighten emotional investment in the outcome of individual battles within your story arc. Additionally, consider how success or failure could potentially affect other characters within your narrative; even if they aren’t directly involved in the conflict, knowing their fates could be changed drastically depending on which direction it goes might give some much needed motivation for readers who feel stuck in a particular scene.

Finally, don’t forget about escalating conflicts themselves! If possible, try adding an additional challenge after each victory or defeat that keeps up momentum while preventing boredom from setting in over long periods of time. This can include anything from introducing new enemies with different skillsets than before or having allies change sides unexpectedly - anything that forces characters outside of their comfort zones and introduces unpredictable scenarios within each encounter.

 Here's are some "raised stakes" for inspiration:

 

  1. Introduce a ticking clock with a deadline
  2. Increase physical danger for characters
  3. Increase cost of failure for each side of the conflict
  4. Show potential impacts on other characters in the narrative
  5. Escalate conflicts by introducing new enemies or challenges
  6. Give antagonists more power, goals, or influence
  7. Create unexpected surprises to keep readers interested and engaged
  8. Reveal secrets that could change outcomes drastically
  9. Introduce moral dilemmas without easy solutions
  10. Put protagonists in emotionally difficult situations

 

 

5) How will the story RESOLVE the conflict?

When resolving a conflict in fiction, it's important to remember that resolution doesn't always mean victory - sometimes the protagonist learns a lesson and changes their ways, or perhaps they come out of the conflict with an understanding of what a true victory looks like. It's also possible for two sides to find a compromise through negotiation or collaboration rather than one side coming out on top completely.

For example, if your story features two opposing nations at war then it wouldn’t be expected that one would totally defeat the other - instead, they could come together and agree to create peace by making compromises such as sharing resources or borders. On the other hand, if you have characters facing personal conflicts then having them come to mutually beneficial conclusions isn’t as likely; most character-driven stories tend toward either bad endings because tensions weren't properly managed or good ones when lessons were learned and amends were made for mistakes committed along the way.

No matter what type of conflict you're writing about though, make sure that any resolution is both believable and satisfying for readers; this is especially true if your antagonist remains victorious at the end since readers won't feel fulfilled by an ending where nothing was gained in exchange for all those pages read!

 

 

Resources

 

MY FAVORITE ALL-PURPOSE RESOURCE

The Writer's Treasure Chest - everything in one place, curated, organized, this is a great reference for all things writing craft, with tons of prompts, plot/character generators and other tools to inspire you to write a great story.

  

RELATED ARTICLES

As you write your story, here are some articles that will be helpful as you work on all the aspects of the writing craft and your writing process: 

  

 

FREE COURSE, GUIDE AND WORKBOOK

Do you want to write fiction faster, while practicing your craft and your writing process to consistently get better? Check out this link to the "Write Fiction Faster ... and better" guide and workbook, which comes with a companion course with 23 bite-sized video lessons and 4 worksheets.

 

 

Frequently Asked Questions

 

1. What is the best way to introduce a conflict in a story?

The best way to introduce a conflict in your story is to set up the stakes early on and provide an understanding of the goals for each side. This will help your readers understand why what's happening matters and make them more emotionally invested in the conflict as it develops. Also, creating strong characters with unique motivations can also help make a conflict more interesting by exploring different angles and perspectives that might not have been thought of before. Additionally, adding unexpected plot twists or revelations can add complexity to a situation while giving readers something new to look forward to every few chapters.

 

2. How can I make sure my characters’ motivations are clear when writing a conflict?

When writing a conflict, it is important to make sure that your characters' motivations are clear to the reader. This can be done by introducing each character's goals and objectives early in the story, so that readers know what they are striving for and how their decisions will affect the outcome of the conflict. Additionally, providing a backstory and personal details about each character will help create an emotional connection between them and readers which could also influence how readers interpret their choices throughout any given situation. Lastly, making sure that characters remain consistent in their actions (even if those actions lead to unexpected results) will give readers a more realistic perception of how people act during times of intense conflict.

 

3. What type of conflicts should I include in my story?

When deciding which type of conflict to include in your story, it's important to think about the big picture you are trying to create and how each element will work together and fit into the grand scheme. For example, if you want to build a complex plot with lots of tension then adding multiple layered conflicts between characters might be necessary - these can be physical (such as battles or duels) or personal (like feuds or secrets). If your goal is more focused on character growth then consider creating internal conflicts that force them into difficult situations where they must confront their own emotions and flaws in order to move forward. Lastly, consider introducing social issues such as racism or classism that add additional complexity while also providing opportunities for readers and characters alike to grow through understanding one another better. Whatever type of conflict you choose should always serve a greater purpose within your narrative!

 

4. What techniques can be used to increase tension while writing a conflict scene?

One way to increase tension while writing a conflict scene is to use rhetorical questions or internal dialogue. Rhetorical questions can help the reader question what's happening by forcing them to consider multiple sides of a situation, while internal dialogue gives readers insight into characters' inner thoughts and feelings which can make scenes more emotionally intense. Additionally, using foreshadowing or suspenseful twists that hint at future events that could cause potential danger or upheaval can also significantly build tension. Finally, setting physical limits for characters (like time restrictions) or restricting essential resources like weapons or supplies are effective ways of ramping up the intensity level as well!

 

5. Is it necessary for one side of the conflict to ultimately win or lose?

No, it is not necessary for one side of the conflict to ultimately win or lose. Instead, it is possible for two sides to find a compromise through negotiation or collaboration rather than one side coming out on top completely. Resolution can also take other forms such as the protagonist learning a lesson and changing their ways, or gaining an understanding of what a true victory looks like without necessarily being victorious themselves. 

For example, if your story features two opposing nations at war then it wouldn’t be expected that one would totally defeat the other - instead, they could come together and agree to create peace by making compromises such as sharing resources or borders. On the other hand, if you have characters facing personal conflicts then having them come to mutually beneficial conclusions isn’t as likely; most character-driven stories tend towards either bad endings because tensions weren't properly managed or good ones when lessons were learned and amends were made for mistakes committed along the way.

The resolution should always satisfy readers though regardless of which side comes out on top so that people feel fulfilled after investing their time in your story!

 

6. What tips do you have for creating believable resolution endings?

To create believable resolution endings, you should ensure that the resolution feels inevitable and satisfying without ignoring the tension that has been built up throughout the story. At a minimum, readers should feel like they have gained something valuable by reading your story - whether it’s emotional satisfaction or new insights into life - from investing their time in it. When wrapping up any conflict, you could focus on tying up loose plot threads to provide closure or consider bringing back previously mentioned events and characters to emphasize how far everyone has come since then. It's also important to not rush through important scenes but rather pay attention to each moment as it connects thematically with those before and after; this will help create an organic flow of emotions that make sense when concluding a scene or story arc properly. Finally, reflecting on where characters are at the end of a story compared to where they were at its beginning can be very effective in providing satisfying resolutions for readers!

 

7. How can I ensure that antagonists remain interesting and compelling throughout my story arc?

To ensure that antagonists remain interesting and compelling throughout your story arc, you should focus on making them dynamic characters who can grow, evolve, and develop alongside the protagonist. Think of your antagonist as a complex individual with their own motivations and passions that are separate from those of the protagonist - this will provide more depth to their characters while also helping readers empathize with them. Additionally, consider crafting conflicts in which either outcome could be seen as desirable depending on whose perspective is taken; for example if there's a disagreement between two sides then one party isn't necessarily wrong or bad while the other is right or good - both could be correct in their own way but still have opposing beliefs which makes for exciting yet complicated showdown scenes! Lastly, keep in mind that even antagonists need moments where they show kindness or vulnerability to create balance and to make readers question themselves about what's truly right or wrong. Doing so will help create even more tension while making sure your antagonists remain interesting till the very end!

 

8. Should all types of conflicts feature personal stakes for characters involved in them, or is it okay if they don’t care as much about certain outcomes than others do?

Yes, it is okay if characters don't care as much about certain outcomes of a conflict than others do. While personal stakes can add more tension and emotion to a conflict, not all conflicts have to feature such elements. For example, if two characters are debating over an issue that doesn’t directly affect either of them personally then there may not be any significant emotional weight attached to the argument - making it harder for readers to become invested in the outcome. In such cases you could instead focus on drawing attention to facts or ideas that could potentially have major consequences for society at large so your audience will still remain engaged even without personal stakes involved! Alternatively, you could explore how characters react differently when their opinions or beliefs are challenged which can provide insight into their personalities and deepen relationships between them no matter what the outcome may be. Ultimately though, make sure that whatever kind of conflict you create serves the greater story arc so your reader's journey with you as an author remains satisfying until they reach its end!

 

9 .What role does setting play when developing and resolving conflicts within stories ?

Setting plays an important role when developing and resolving conflicts within stories. The backdrop of a story provides essential details that help readers get immersed in the situation. By selecting a time period, location, atmosphere, etc., you provide clues to your readers about what they should expect from your characters and their actions. 

For example, if a conflict takes place in a small village then readers can assume that the level of technology available is limited which will affect the way certain characters may approach the problem at hand. Similarly, you could use setting to create parallels between real-world conflicts and fictional ones which helps draw attention to issues without making it too obvious for your audience. Setting also aids with resolution as it allows authors to craft endings that fit perfectly with their chosen environment or show how much has changed throughout the story arc; this further emphasizes plot points while providing visual cues regarding character arcs as well! In short, setting is key when crafting believable worlds filled with interesting conflicts for writers .to explore.

 

10. How can I avoid making conflicts seem too contrived in my stories?

To avoid making conflicts seem too contrived in your story, you should focus on writing characters that feel believable and sympathetic. Invest time in researching the context of your story, and don’t be afraid to ask questions about a particular situation or conflict - this will help ensure that everything from dialogue to plot points is firmly rooted in reality. Additionally, take the time to carefully consider each character’s motivations; by creating believable reasons why they act as they do, readers are much more likely to invest emotionally into the conflict rather than seeing it as merely an artificial plot device. Finally, considering adding multiple layers of complexity whenever possible; for example by introducing different characters with differing perspectives and objectives into a single scene - this will give readers something to think about even after they close the book.

 

 

 

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